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The film also mixes in a variety of other video sources from the dashboard cams of the police cruisers to security cameras. They play them as regular guys instead of complex characters which may make them a little less compelling, but all the more fun to watch. This really gives a chance for stars Jake Gyllenhaal and Michael Pena to shine as well as they fit so naturally into these characters, often sounding unscripted whether or not they are.
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Being a fly on the wall in the various dull, inappropriate, and often times hilarious conversations the two have when patrolling brings the film a much needed dose of comic relief, but the kind that never feels forced. The great thing about this mockumentary/found footage style isn't so much the way it's able to present the action of being a cop realistically (which it does but so do normally shot movies), but it better gives us an understanding of what happens inbetween the action. After stumbling upon a drug-lord at a routine traffic stop, they quickly fall into trouble with the cartel and have to fight their way through it while still trying to figure out where it's all coming from.
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Featured frequently in the film is his partner Mike, often called Z. He also just so happens to be taking a class in filmmaking and is filming his experiences to make a documentary for said class, and this is where we get much of our view into the film from. In the film we meet Brian Taylor, an ex-marine working as a police officer while he works his way through law school. It may not be perfect, but it's unique and shows the day to day life more effectively than most if any cop movies I've seen, and as such I think it will one day be essential viewing for fans of the genre. End Of Watch, an excellent take on the genre. Well for anyone like me who's been waiting for it, here it is. I guess everyone would rather see movies about undercover officers or detectives.
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There are a couple notable television series', like "Hill Street Blues" and the now dated but oddly fascinating reality series "Cops", but on film, these guys don't get a lot of luck. When I actually sit down and think about it, there aren't many good movies about your average, every day police officer. David Ayer has crafted an intense, hard hitting drama that benefits from the two excellent performances by the two leads. It's got a great script and a focused story that is handled confidently and told well. Gyllenhaal continues to solidify himself as one of the best actors around and Peña delivers one of his best performances to date. Whether they're talking about the women in their lives or having a friendly argument about racial stereotypes, these two actors ensure that we stick with their characters through every step of the way. Gyllenhaal and Peña provide us with two highly believable characters and their chemistry is palpable. Some chaotic scenes become a little bit confusing when the camera is constantly changing from first person shots to third person angles. Unfortunately, this format doesn't always work. Using everyday video sources (chest mounted cameras, vehicle cameras, P.O.V angels, aerial shots from police choppers) definitely gives the film an unprecedented level of proximity to cops in the line of duty. It doesn't flinch away when showing the disturbing aspects of this high pressure career. The day to day lives of these two best friends are shown in a format that is both convincing and horrifying. This is one of the most realistic portrayals of police life ever put to celluloid. This topic has been covered countless times but what makes End Of Watch different – and better – then many of its predecessors is that it holds realism as its number one priority.
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Its about cops dealing with their issues at home and on the job. In terms of subject matter this film doesn't cover anything really different. Using the "home footage" format of filmmaking, End Of Watch shows us the ups and downs of these two young officers as they work, love and fight in the streets of Los Angeles. Jake Gyllenhaal and Michael Peña star as a two young officers in the Los Angeles Police Department. End Of Watch marks Ayer's second film as both writer and director. His two films as director (Harsh Times and Street Kings) showed that he could also direct hard hitting dramas depicting the underbelly of the L.A. all showcase his passion for writing screenplays about these streets and the role that police officers play in them. Training Day, The Fast and the Furious, Dark Blue and S.W.A.T. It's not hard to tell that David Ayer grew up on the mean streets of South Central, Los Angeles.